Building A Play
How different is the building of a house from writing a play?
At the end of every artistic process, there comes a time when the work is no longer foundational. In the case of writing a play (which I recently had the experience of doing) there comes a point in the process where the story has become clear. Instead of making the plans, you now have to build the play scene by scene. Analogous to the building of a house, there are often moments where it becomes apparent that plans need to change – for example: when a character transforms, seemingly by the force of its own will, in a way you could never have expected. In my experience the writing of a play often begins in an impulsive way – with the writing of the first draft fleshing out the basic story. After that, the true work begins: Who are these characters? What are they doing to each other? What is the story that I’m reallytelling? And when the play seems to be nearing completion – it mirrors Pollan’s experience almost exactly. As actors slowly learn their lines and the play develops under a director’s vision, minor changes begin to appear necessary. It could be an inconsistency in a character, or a confusion as to what is happening in a scene.
As a play, like a building, slowly comes to life and becomes a thing that people inhabit, all the finishing touches get put into place. I find it interesting that in both cases, this “finishing” process in no way signals the end of the work. A play, like a house, upon its completion has now become an entryway into an experience, a place for people to exist for a time.
It is a liberating thought to remember that the end of a creative process merely serves as the beginning for another collaborator. With this understanding, the work never stops. I could certainly stand to acquire a bit more patience in the “finishing” processes in my life.
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